Nathalie Léger

Translated by Amanda DeMarco

Everything can be exhibited: trinkets from the Second French Empire, a collection of photographs, a boudoir from beyond the grave, a heroine famous for her beauty, her extravagance and her pitiful end. Everything can be exposed: a woman for another woman... , the fear of one’s own body, a way of entering a scene, the thrill of seduction, abandonment, the reassurance of objects, a ruin.

Over the course of four decades, the Countess Virginia Oldoïni Castiglione returned to the same Paris studio to be photographed, posing in different tableaux to mark the moments of her life, real and imagined. Examining the myths around icons past and present, Léger meditates on the half-truths of portrait photography, reframing her own family history in the process.

Read excerptsin 3:AM Magazine, The London Magazine, and LitHubor watch a reading by Amanda DeMarco at Exposition’s UK launch
See reviews in The White Review, the New York Review of Books and more

‘A tour de force.’ — Natasha Lehrer

By the same author: Suite for Barbara Loden (2015) and The White Dress(2020)

Paperback
180 x 120 mm, 168 pages
First English edition published on 5 December 2019
isbn 978-1-9993318-3-2